Given the subject matter and surroundings of Elvis at the time, it's difficult (despite the decent soundtrack) to view G.I. Blues as anything other than exploitative. Coupled with the fact that, without films like G.I. Blues, we know films like Harum Scarum would have never had to happen, we're left with the king of the blind: a perfectly mediocre film that it is impossible to recommend because of the precedent it created. It's as if Wallis had Presley's return calculated to the last lip curl.
In case there was any confusion as to what Wallis had in mind, Elvis plays U.S. Army SP5 Tulsa McLean, a tank crewman stationed in West Germany, but with bigger hopes of being a nightclub singer (for the fourth film in a row). Tulsa moonlights as a rock and roll bar singer in hopes to raise enough money to open his own bar when his stint in the Army is over. The love interest enters the story by way of a wager in which Tulsa must shack up with hard-to-get dancer Lili (Juliet Prowse). A good life lesson to be had: women don't typically respond well to this when they find out the truth.
The on-screen chemistry in G.I. Blues is rather forgettable, which is probably what the production company had in mind; for the first time, Elvis is the love interest for the gushing fans. In an early scene, Tulsa's group is trying to perform when another G.I. disrespects him in order to loudly play a song on the jukebox. The song is Elvis Presley's "Blue Suede Shoes" in the most contrived universal inside-joke comparable to the wit of (and targeted to roughly the same age group as) "Hannah Montana". The charade continues as Tulsa climbs down from the stage to sock the smart-mouth, killing two birds with one stone. From here on out, many Elvis fistfights would serve no narrative purpose.
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