Here’s what the challenge is all about: I watch and then review each new show’s pilot episode on the big five networks; ABC, CBS, NBC, FOX, and The CW. This is going to be the year I do it. Check out Part One here.
Here’s what the challenge is all about: I watch and then review each new show’s pilot episode on the big five networks; ABC, CBS, NBC, FOX, and The CW. This is going to be the year I do it. Check out Part One here.This past week was the big week. I’ve got eight new shows here for you. Add in all the returning shows I normally watch and I watched 19 premiere episodes of television this week. Not counting the stuff that had premiered previously and I was watching subsequent episodes of or the shows on cable. My apartment is a mess. But I challenged myself. And I can’t let me win.
2 Broke Girls, CBS – Mondays, 8:30/7:30c
You can watch the pilot on CBS.com
Has anyone else ever noticed that anytime a movie star shows up on a sitcom they appear to be overacting like a fiend? They could be insanely talented on the big screen, but something happens when they set foot on that soundstage. My favorite example of this is Brad Pitt’s appearance on “Friends,” as funny as the guest spot was, it was just painful at parts. Another, more recent example, is Matt Dillon on “Modern Family;” not his best stuff. Kat Dennings is not exactly a movie star, but she’s definitely suffering from this phenomenon. We all know her best from movies like House Bunny and Nick and Nora’s Infinite Playlist, and interestingly enough she plays more or less the exact same character in everything she’s ever been in. “2 Broke Girls” is no exception, she still plays a cute snarky girl with an acidic tongue. But somehow on this program she’s less convincing, almost like the live studio audience makes her uncomfortable. And who could blame her? She has to wait those extra beats as they laugh and I imagine nothing could feel more unnatural for an actor who is used to only needing to cater to the camera.
I wish I could say Dennings’ acting is the biggest hurdle this show has to overcome, after all that is something that could be worked on and fixed. But “2 Broke Girls” also has to deal with its predictable writing and repetitive story line. Here’s the breakdown, a former rich girl whose daddy pulled off some pretty heinous white collar crimes ends up in a
Beth Behrs is perhaps the brightest part of the show as Caroline the rich- turned- broke girl. Hopefully, her ease in delivery and confidence will rub off on Dennings who at this point looks to be faking it. Though part of the issue could be just in her character; this show is co-produced by comedian Whitney Cummings (whose own show also premiered this week, see below) and it’s pretty clear Dennings’ Max is based on her own humor and personality and seeing how I find Cummings grating, it only makes sense Max would annoy me as well.
Prediction: This show has all the markings of a CBS comedy and since it’s on between “How I Met Your Mother” and the retooled “2 & a Half Men” there’s no reason why it shouldn’t do well. And if Dennings and the writing staff can figure this whole sitcom thing out, there’s also no reason why it can’t be more than mediocre. Except for that horse. Get rid of the dumb horse. I give it at least a season two pick up.
The Playboy Club, NBC – Mondays, 10/9c
You can watch the pilot episode on hulu.com or nbc.com
You know how sometimes you challenge yourself to watch all the pilot episodes of all the new shows of the season? And how this means watching a few shows that you have no interest in and were pretty confident you wouldn’t like? And then one of those shows ends up surprising you? No? Just me? Well, that’s how I ended up feeling about “The Playboy Club.” And, frankly, I’m a little upset about it. How dare NBC make me think I was tuning in to a somewhat brainless, boring, attempt at getting viewers based solely on pretty girls in leotards and bunny ears with a little Eddie Cibrian thrown in for the ladies. Instead, I got a group of interesting characters who I honestly want to know more about.
Sure, it isn’t a perfect show. Cibrian overacts in everything and this is no different. They attempt to grab us with some lame story involving a dead mafia don who put his hands on the wrong new bunny, but what really piqued my interest was the slow unraveling of who these girls are (especially the storyline fronted by Leah Renee Cudmore’s Alice). This show is less about the Club and more about the women behind the ears and fluffy tails. How did they end up here? What are they looking for? What do they have to lose? This is what will keep me tuning in for at least a few more episodes. Not the love triangle. Not the tension supplied by the mafia’s presence. Not the wonder if we’ll ever see Hugh Heffner’s face (he’s pulling a Charlie Townsend thus far). But the girls, which is interesting considering this is what kept the Key Club members coming back as well.
Prediction: I don’t think many people will look past the expected any more than I wanted to, so I don’t think it will be around much longer. Of course I could be wrong, but it is up against “Castle” and “
Unforgettable, CBS – Tuesdays, 10/9c
Go to CBS.com to watch the pilot.
Those bunnies have got nothin’ on Poppy Montgomery. No matter what I thought of this show the fact remains: she is the most attractive person on television. And I’m including the boys from “Supernatural” on this.
This was the last show to be cleared from my DVR this week. Not because I was dreading it, exactly, but because I knew what I was going to get. This is a standard procedural show, only Poppy plays a former cop who has the ability/curse to never forget anything. She has one of those freaky memories where she can conjure up any moment as long as she was there to solve a crime, except the one she really wants to solve; her own sister’s murder. Dun dun dunnnn.
There isn’t anything bad about this show. It was well acted, directed and the storyline was almost believable (you’ll have to excuse me that I don’t totally buy that she can notice new things when going “into” her memories). But all in all it wasn’t really exciting or new. Perfect for the CBS crowd. Boring for me.
Prediction: CBS will have to fight ABC’s “Body of Proof” for the demos they’re looking for. Luckily, it’s CBS and they have loyal viewership (read: old people). If this show was on Fridays it would clean up. But it is possible it’s too ordinary even for the typical crowd. I give it a 40% chance of survival.
The X Factor, FOX - --
Just kidding. I don’t watch reality TV.
Charlie’s Angels, ABC – Thursdays, 8/7c
Hulu.com can give you a look at the pilot episode.
Someone please give me the hour I spent on this show back. Can we all just agree that even the original “Charlie’s Angels” show was horrible? The original thrived on hair flips and the intentional cheese factor and the winks and nods this reboot gives to those things are just groan worthy. The only way this could have worked is if they went in a totally different, dark place which they tried, to a certain extent, by making the angels former criminals rather than cops (though one was a dirty cop). And I appreciate how Bosley is not completely useless in this version as a hacker who can hold a gun. And I especially appreciate how this isn’t an extension of the movie versions Drew Barrymore produced a few years back (Barrymore also produces the series, if you couldn’t tell by the number of Cover Girl commercials).
To be fair, there was one good thing about this re-boot. Minka Kelly was convincing as the former gang member out for revenge who in the end joins the agency. Her mixture of toughness and vulnerability was impressive and I found myself wishing ABC had just developed a show around her – one without the rest of this cast, who were clearly trying too hard. She’s going to be a big star one day and ABC is going to wish they treated her better. I guess there’s always next year.
Prediction: I’m not sure how it hasn’t been canceled yet.
Person of Interest, CBS – Thursdays, 8/9c
Go to CBS.com for the first episode.
A machine was created in order to sift through all the data acquired from the implementation of the Patriot Act. This machine uses the information to determine where significant loss of life will occur. It also determines the “insignificant” deaths but since the government is only interested in terrorist plots those numbers go straight to the trash. The developer of this machine decides to recruit an ex-operative to help save those on that latter list. Basically, this is “Early Edition” – the show where the guy gets tomorrow’s newspaper today- but Jim Caviezel kicks ass and gets out of impossible situations without so much of a blink. Another attempt by CBS to trick us into thinking this is not a typical procedural, “Person of Interest” is adequately performed and written but its attempt to make the audience believe this machine is watching by showing the always on security cameras and giving the feeling of Big Brother is unsettling but also feels cliché. The machine spits out social security numbers and it’s up to Jesus to track down, then protect or take out the owner of that number.
CBS wants me to think this is a different kind of show since it’s produced by JJ Abrams. That’s a good argument since Abrams gave us “Lost” and my personal favorite “Fringe” but “Person of Interest” feels so familiar. And if it was going to give me something new and exciting, don’t you think the pilot episode would be the place to do it?
Prediction: If it keeps it typical, CBS fans will embrace it, but it didn’t give fans of science fiction enough to get behind it right away. It could get good, but I’m not sure it will be around long enough to get to the interesting stuff, like what happens when your number comes up? (Loom of Fate, anyone?)
Whitney, NBC – Thursdays, 8:30/9:30c
You can watch this on hulu.com, but please, save yourself.
Whitney Cummings’ stand up act is about the differences between men and women. And how women act unreasonably sometimes. And yelling. There’s a lot of yelling into that microphone. So go ahead and guess what her sitcom is about?
I won’t lie, there were a few moments where I laughed or cracked a smile, but I’m still not sure if that was because I found the moment funny or if the studio audience just tricked me into laughing with them. But then that begs the question, who tricked them into laughing?
I’m going to break this down. Each network has a sitcom style and way to produce a comedy program that is uniquely theirs and anytime they venture outside of that, we notice and it’s just distracting. ABC currently has the monopoly on family based, silly, single camera comedies. FOX has a few quirky single camera shows, but really hits on their inappropriate animated shows (we’ll call them sitcoms for the purpose of this). NBC has the workplace type single camera operations that take risks and are the favorites to TV snobs like myself. And then CBS takes the cake on safe, multi-camera shows, with studio audiences/laugh tracks and flat characters. Basically, what I’m saying here, is that “Whitney” should be on CBS and needs to get off my Thursday Night NBC lineup before I lose it.
Honestly, if I talk anymore about this show, I’m going to start getting mean. So let’s just move on.
Prediction: Canceled by midseason.
Oh, look! Another procedural! In case you guys were wondering if I liked anything this past week, know that I really enjoyed this one. It feels a little dated at times, because I like to think there are more female detectives out there than this show makes it sound, but that could be because I watch a lot of TV. Maria Bello uglies herself up as the new homicide detective who can’t get any respect in the boys club that is the NYPD. Rumor has it, she slept her way into the department and the fellas aren’t too happy about it.
NBC has issues with this timeslot, so I’m not sure my liking this show will help it out any, especially seeing as it is just another procedural. Great lead character aside, it’s pretty clear it needs something else to hook a wider audience. Hopefully, we can see the lives of some of her supporting characters. I want to see these men give in and make her feel welcome one cop at a time. And then I want to see her mess up and lose a little of their respect again. We’re led to believe that this woman is not even close to being perfect, so hopefully, that means she’ll continue to be flawed.
Prediction: Your guess is as good as mine. Are audiences sick of procedurals unless they’re on CBS? Maybe. This show may prove that.
A Gifted Man, CBS – Fridays, 8/7c
CBS.com is where you can watch this.
Finally! Something to replace “The Ghost Whisperer.” “A Gifted Man” is about a successful NY surgeon played by Patrick Wilson who is a little self-centered. One night, he runs into his ex-wife, who he clearly still has feelings about, then has a great night catching up. The next day, he finds out his ex is actually expired, as in dead. Being a neurosurgeon he immediately suspects a tumor (though it is a little weird that he had to google it) and then decides he’s crazy. But he isn’t. Turns out she came to him because she needs him to help her finish her work. You see, while he was out making lots of money and cutting open people’s heads, she was making a difference in a free clinic.
Basically, this looks like it’s going to be one of the most predictable shows of all time. He’s going to learn how to care about people who aren’t himself and his sister and nephew (whom he barely cares about at this point) and continue to pine for a dead woman. Seriously, though, that can’t be healthy. Again, this show is well done for what it is.
Prediction: Friday night CBS fans are going to love this.
And that’s finally over. Stay tuned for Part Three next week, which should only have five entries.